Blessed Convent

The Convent of Beato, located in the parish of Beato in Lisbon, represents a fascinating testimony of the city’s architectural and social history. Its origins date back to the 15th century, when Queen Isabella commissioned the construction of a hermitage on the site. This was later expanded in the 16th century by Frei António da Conceição, known as Beato António, from whom the convent takes its name. Legend has it that with only seven coins received as alms, they managed to start the construction of the majestic building, combining white marble and red Japanese, giving it a unique aesthetic characteristic and durability that helped it withstand the devastating Lisbon earthquake of 1755. Over the centuries, the convent has undergone numerous changes in use, reflecting the political and social turmoil of Portugal. In the 18th century, one wing of the convent was used as a Royal Military Hospital, and in 1834, after the suppression of religious orders, the industrialist João de Brito transformed part of the complex into a grain, bread, and malt factory, marking the beginning of its industrial era. This change was significant, as it saw the installation of the first steam engine in Portugal, revolutionizing the local industrial landscape. The 19th and 20th centuries saw further transformations. Part of the convent was used as a tobacco warehouse and the church was transformed into grain silos. Despite a devastating fire in 1840 and another in 2004, the complex has always found ways to renew itself and remain relevant. In 1984, the Convento do Beato was classified as Imóvel de Interesse Público, recognizing its historical and architectural importance. In recent decades, the convent has seen significant renewal, especially after being acquired by the Cerealis group in 1999 and later by the Larfa Properties group in 2018. These interventions have transformed the convent into one of Lisbon’s main event centers, hosting conferences, fairs, weddings, and concerts, including the memorable Scorpions concert in 2001, during the recording of their live album “Acoustica.” Architecturally, the Convento do Beato is an exceptional example of how different styles have overlapped over time. The church facade is characterized by a rounded portico on the ground floor, topped by an oculus and rectangular windows, while the interior includes a single nave divided in height by a 19th-century iron structure. The two-story cloister with marble works is a central element, and the refectory with its depressed arch vaulted ceiling offers a glimpse into the architectural techniques of the late 16th century.