Barcelona Arena
Europe,
Spain,
Barcelona,
Eixample
The Arenas de Barcelona, also known as Las Arenas, is an exceptional example of how a historic building can be transformed into a modern shopping, entertainment, and cultural center without losing its architectural and historical value. Originally built as a bullfighting arena in 1900 on the initiative of Josep Marsans, the neo-Mudéjar style building was designed by architect Augusto Font Carreras. Bullfights were held there until 1977, when the arena ceased to be used for bullfighting.
In the 1980s and 1990s, the fate of the structure was the subject of heated discussions. The idea of demolishing it to make way for new construction was rejected thanks to a conservation campaign that recognized its historical and architectural value. Only in 1999, the Sacresa group, owned by the Sanahuja family, purchased the arena with the intention of transforming it into a multifunctional center. British architect Richard Rogers, known for his innovative approach and respect for existing structures, was commissioned to lead the renovation project along with the Alonso-Balaguer y Arquitectos studio.
The restoration of Arenas de Barcelona represented a significant technical challenge. The original red brick facade had to be preserved and stabilized, which was achieved through the use of advanced technologies such as Superslim and Megaprop beams. A glass dome-shaped roof was added, giving the building a modern and airy look while respecting the original structure. This 27-meter high roof is supported by large internal columns that allow the external facade to remain intact.
The official opening of the new complex took place on March 24, 2011. Today, Arenas de Barcelona houses 116 shops, including anchor stores like Mercadona, Fnac, and Mango, as well as cinemas, restaurants, and spaces for cultural events. The structure is divided into six floors, each dedicated to different commercial and entertainment activities. One of the most spectacular features is the panoramic terrace, which offers breathtaking views of the city and serves as a public space for events and outdoor activities.
From an artistic point of view, the conversion of Arenas de Barcelona is an example of how modern architecture can interact with historical heritage. Richard Rogers and the team of architects have maintained the integrity of the neo-Mudéjar facade, using contemporary materials such as glass and steel to create a fascinating and harmonious contrast. This intervention pays tribute to the building’s bullfighting past while projecting it towards a dynamic and multifunctional future.
Politically, the transformation of Arenas de Barcelona reflects the changing social and cultural values of the city. The end of bullfighting in 1977 marked a departure from violent traditions of the past and the embrace of a more inclusive and peaceful use of public spaces. The restructuring of the arena into a shopping and cultural center responds to the growing demand for urban spaces that promote social interaction and cultural enjoyment.
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