Church of Santa Maria in Monticelli

Walking through the streets of Rome, in the Regola district, one comes across a hidden treasure: the Church of Santa Maria in Monticelli. With roots dating back to the 8th century, this church is a perfect example of how history and art intertwine in the alleys of the Eternal City. The first mention of the church dates back to the times of Pope Paschal II (1099-1118), but it was in 1143 that Pope Innocent II reconsecrated it, marking one of the many stages of its long life. As a testament to this reconsecration, a plaque inside the church still tells the story of that historic moment. Originally built in Romanesque style, Santa Maria in Monticelli has retained some elements from that era through the centuries. The 12th century bell tower still stands today, carrying with it the charm of the past, and a fragment of an apsidal mosaic depicting the Face of Christ, attributed to Pietro Cavallini, is one of the oldest and most precious treasures preserved inside. However, the current appearance of the church is the result of numerous subsequent interventions. In 1716, under the papacy of Clement XI, Matteo Sassi completely renovated the building, giving it a Baroque look. In the 19th century, the architect Francesco Azzurri was commissioned for further restorations that consolidated the structure and updated its aesthetics. Upon entering the church, one is welcomed by a basilica with three naves, an open and solemn space that invites reflection and prayer. The naves are punctuated by columns that create a visual rhythm, leading the gaze towards the main altar. Here, art takes center stage. Among the most significant works, Antonio Carracci’s “Flagellation” immediately captures attention with its drama and realism. But it is the wooden crucifix from the 14th century, attributed to Pietro Cavallini, that evokes a sense of sacredness and antiquity, connecting the faithful with centuries of devotion. The six side chapels, each carefully decorated, house a variety of artworks. In the first chapel on the right, a Madonna with Child and saints by Sebastiano Conca stands out for its sweetness and vibrant colors. The second chapel is dominated by another masterpiece, a fresco depicting scenes from the life of Mary, further enriching the church’s artistic heritage. The facade of Santa Maria in Monticelli, restored several times over the centuries, represents a fascinating mix of Baroque and Neoclassical styles. The simplicity of the external decorations contrasts with the richness of the interiors, creating a perfect balance between austerity and opulence. This balance is also evident in the entrance portal, which welcomes visitors with understated elegance, inviting them to discover the hidden treasures inside.