Gallery Vittorio Emanuele II

The Galleria Vittorio Emanuele II, located in the heart of Milan, is much more than just a commercial passage: it is a monument to the modernity of the 19th century and a symbol of Milanese elegance. Inaugurated in 1877 and designed by architect Giuseppe Mengoni, the gallery represents one of the first examples of a covered shopping center in the world, a work that combines architecture, art, and functionality in a harmonious and monumental ensemble. The gallery is named after Vittorio Emanuele II, the first king of Italy, and was built during a period of great transformation for the city of Milan. Italy had recently been unified, and Milan, with its industrial and cultural fervor, was emerging as one of the main centers of the new kingdom. The gallery was conceived not only as a place of commerce, but also as a symbol of national unity and economic progress. From an architectural point of view, the Galleria Vittorio Emanuele II is a masterpiece of engineering and design. Its cruciform structure is topped by a majestic dome of iron and glass, 47 meters high, which allows natural light to flood the interior, creating an effect of brightness and lightness. The four arms of the gallery connect Piazza del Duomo to Piazza della Scala, creating a fluid and continuous passage between two of Milan’s most iconic locations. The interior facades of the gallery are decorated with elegant stuccoes and frescoes representing allegories of the continents and major human activities such as industry, agriculture, art, and science. These decorative elements not only add beauty to the architecture but also reflect the spirit of innovation and confidence in progress typical of the time. The mosaic flooring of the gallery is another distinctive element. At the center of the octagon under the dome is the coat of arms of the city of Turin, depicting a bull, which has become the subject of a curious tradition: it is said that spinning three times with the heel on the bull’s genitals brings good luck. This gesture, repeated by generations of Milanese and tourists, has left a visible mark on the flooring, testifying to the vitality and popularity of the place. The Galleria Vittorio Emanuele II has always been a reference point for luxury shopping and high-quality dining. Since its opening, it has hosted shops of prestigious brands, historic cafes like Caffè Biffi, and renowned restaurants, creating an exclusive and refined atmosphere. Today, the gallery continues to be a magnet for shopping and gastronomy enthusiasts, with fashion boutiques, jewelers, and bookstores alongside gourmet restaurants and trendy cafes. The history of the gallery is also marked by tragic and symbolic moments. Its designer, Giuseppe Mengoni, died under mysterious circumstances on the eve of the inauguration, falling from scaffolding. This dramatic event adds an aura of mystery and legend to the history of the gallery, which continues to be a place of stories and memories for the city of Milan. In addition to its commercial role, the Galleria Vittorio Emanuele II has always had a social and cultural function. It is a meeting place and a promenade for the Milanese, an urban salon where stories and relationships intertwine. During important city events such as Fashion Week or the Furniture Fair, the gallery comes alive with events, fashion shows, and artistic installations, becoming an open-air stage.