Church of Santa Maria di Piazza

The Church of Santa Maria di Piazza is one of the architectural jewels of Turin, located in the historic center of the city, near via Garibaldi. Its history is a fascinating journey through the centuries, marked by architectural, cultural, and religious transformations that reflect the evolution of Turin itself. The first mentions of the church date back to 1080, when it was known as “Sancta Maria de Platea,” probably due to its proximity to the ancient Roman forum. The original structure, dating back to medieval times, has undergone numerous modifications over the centuries. In 1552, the church was entrusted to the Barefoot Carmelite Fathers and, from 1636, it became the seat of the Company of Minutemen, Hosts, and Shoemakers, representing a reference point for various artisan corporations in the city. During the 17th century, the church went through a period of decline, both structurally and morally, to the point that Maria and Caterina di Savoia initiated a reform to restore the good name of the religious institution. In 1729, due to the growing need for space, the Carmelites moved to new premises near Porta Segusina, leaving the church to the diocese, which decided on a complete reconstruction. The reconstruction project was entrusted to the Turin architect Bernardo Antonio Vittone in 1751. Vittone, known for his rich and innovative Baroque style, designed a church that would become a masterpiece of Turin’s religious architecture. The consecration of the new church took place in 1768, by the then Archbishop of Turin, Francesco Luserna Rorengo di Rorà. The interior of the church is a celebration of art and devotion. The first altar on the right houses a painting depicting the Baptism of Jesus by Michele Antonio Milocco, while the altar on the left features a Holy Family by Mattia Franceschini. The main altar is dominated by the Assumption of the Virgin, a work by Pier Francesco Guala, a renowned Piedmontese painter. The facade, built in 1830 by the architect Barnaba Panizza, combines neoclassical elements with Baroque, creating an effect of majestic simplicity. The light inside the church plays a fundamental role, with illumination pouring from the top of the central dome, creating an atmosphere of solemn spirituality. During the Second World War, the church suffered serious damage due to the bombings of November 20, 1942, and August 8, 1943. However, it has been restored and continues to be an active and vibrant place of worship. Since 1910, the church has become the Sanctuary of Eucharistic Adoration, managed by the Congregation of the Blessed Sacrament, founded by Saint Peter Julian Eymard in 1856.