Home of the Cultures of the World

The Haus der Kulturen der Welt (HKW) in Berlin, colloquially known as “the pregnant oyster” for its characteristic architectural shape, is one of the city’s main cultural centers, dedicated to contemporary art and critical debates on a global scale. Inaugurated in 1957 as the Kongresshalle during the International Architecture Exhibition Interbau, the building was a gift from the United States to Germany, a symbol of friendship during the Cold War period. Designed by American architect Hugh Stubbins, the structure is an iconic example of modernist architecture and reflects the ideal of dialogue and cultural exchange between the two nations. In 1980, the roof structure collapsed due to structural defects, but the building was restored in 1987, on the occasion of Berlin’s 750th anniversary, and renamed Haus der Kulturen der Welt in 1989. This transformation marked the beginning of a new era for the building, which has since established itself as a vibrant forum for international culture and contemporary debate. The HKW program is exceptionally diverse and interdisciplinary, including exhibitions, concerts, performances, film screenings, academic debates, and workshops. This cultural center places particular emphasis on non-European cultures and societies, providing a platform for diverse voices and addressing socially, politically, and artistically relevant themes. Through its initiatives, the HKW promotes critical reflection on global issues and encourages intercultural dialogue, making it one of Europe’s most innovative cultural institutions. One of the distinctive features of the HKW is the bronze sculpture “Large Divided Oval: Butterfly” by Henry Moore, located in the pond in front of the building. This artwork, Moore’s last major sculpture, was initially loaned by the artist but later purchased by the German government after his death. The sculpture, with its fluid curves, integrates perfectly with the building’s architecture, creating a visual dialogue between art and public space. Another unique feature of the HKW is the carillon, a bell tower also built on the occasion of Berlin’s 750th anniversary. With 68 bells, the carillon is the fourth largest in the world and is regularly played, offering concerts that further enrich visitors’ cultural experience. The HKW building is not only a venue for cultural events but also a symbol of sustainability. Since 2013, the HKW has been EMAS certified (Eco-Management and Audit Scheme), demonstrating its commitment to sustainable environmental management. This approach reflects the institution’s emphasis on ecological responsibility in the context of cultural production. The HKW’s cultural program is enriched by numerous annual events, such as the “Wassermusik” festival held in summer, which transforms the terrace overlooking the River Spree into a stage for concerts and film screenings. Every year, the Berlinale, one of the world’s most important film festivals, uses the HKW as one of its venues, particularly for the children’s film series. The HKW is also a center for research and academic debate. With projects like “Anthropocene,” the institution explores the interactions between humanity and nature, proposing new perspectives on sustainability and the future of our planet. This project is just one of many initiatives that demonstrate the HKW’s commitment to combining art and science to address contemporary challenges. The mission of the HKW is to create spaces for the intersection of art and discourse, promoting a critical understanding of the present and global transformations. By collaborating with artists, academics, and experts from around the world, the HKW explores emerging ideas and shares them with Berlin’s international audience and a wide digital audience.