Church of Santa Maria del Monte dei Cappuccini

The Church of Santa Maria al Monte dei Cappuccini, located on a hill overlooking Turin, is an exceptional example of late Renaissance and Mannerist architecture. Commissioned by Carlo Emanuele I of Savoy in 1581, the church was designed by Ascanio Vitozzi and later completed by Carlo and Amedeo di Castellamonte. Construction began in 1583 and was completed in 1656, after various interruptions due to plagues and civil wars. The church and the convent were entrusted to the Capuchin friars, a religious order known for their dedication to prayer and charity. The strategic position of Monte dei Cappuccini also played a fundamental role during the sieges of Turin, especially during the siege of 1640, when the church was miraculously spared from looting thanks to an episode considered miraculous: a tongue of fire that protected the tabernacle from French profanations. The architecture of the church features a Greek cross plan, with a majestic octagonal drum topped by a lead-covered dome. The interior is richly decorated with polychrome marbles and Baroque frescoes, works by artists such as Isidoro Bianchi and Stefano Maria Clemente. The main altar, designed by Carlo di Castellamonte, is a masterpiece of marble sculpture, adorned with angels and religious symbols. The church houses numerous works of art, including an oil on canvas by Guglielmo Caccia, known as il Moncalvo, depicting the martyrdom of Saint Maurice, patron of the House of Savoy. Under the left side altar lie the remains of Saint Ignatius of Santhià, a highly venerated Capuchin friar who lived and died in the convent in the 18th century. Santa Maria al Monte dei Cappuccini is also a place of great importance for the religious and civil community of Turin. Every year, on May 12, the anniversary of the Eucharistic miracle of 1640 is celebrated, an event that attracts numerous faithful and pilgrims. The panoramic position of the hill offers a spectacular view of the city and the Alps, making it a point of reference not only spiritually but also touristically. In addition to the church, the complex includes the National Museum of the Mountain, dedicated to the history of mountaineering and mountain culture. The museum houses a rich collection of equipment, documents, and photographs that tell the stories of climbers and the evolution of climbing techniques. The museum’s panoramic terrace offers a breathtaking view of Turin and the surrounding mountains, adding another reason for attraction for visitors and mountain enthusiasts. Over the centuries, the church has undergone various restorations and modifications, but has always maintained its architectural integrity and historical charm. During the Napoleonic period, the convent was temporarily suppressed and used for military purposes, but was later returned to the Capuchin friars, who have continued to care for and manage it. Another element of great interest is represented by the wooden statues of Capuchin saints, the work of Stefano Maria Clemente, which decorate the four corners of the church. These statues, along with the oval paintings depicting other saints below them, further enrich the sacred environment, creating an atmosphere of deep devotion and spirituality. Monte dei Cappuccini, with its church and convent, is also a place of peace and reflection, away from the hustle and bustle of the city. The gardens surrounding the complex offer an oasis of tranquility, ideal for meditative walks and moments of prayer. The Capuchin friars’ community continues to play an active role in the religious and social life of the city, offering spiritual support and assistance to those in need.